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(Limelight). This is the powerful memoirs which an ailing Dmitri Shostakovich dictated to a young Russian musicologist, Solomon Volkov. When it was first published in 1979, it became an international bestseller. This 25th anniversary edition includes a new foreword by Vladimir Ashkenazy, as well as black-and-white photos. " Testimony changed the perception of Shostakovich's life and work dramatically, and influenced innumerable performances of his music." New Grove Dictionary
- Sales Rank: #161926 in Books
- Published on: 1979-01
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 289 pages
Review
"'I do not know of a musician who will not read it with compassion and admiration' Andre Previn"
Language Notes
Text: English, Russian (translation)
About the Author
Solomon Volkov is a musicologist and the author, most recently, of St. Petersburg: A Cultural History.
Most helpful customer reviews
1 of 1 people found the following review helpful.
by understanding what his life was like within Soviet Russia at the time
By Terry-Joseph Busch
One can only fully appreciate Shostakovich's music, especially his symphonies, by understanding what his life was like within Soviet Russia at the time. His delicate relationship with Stalin and Soviet authorities, the constant threat of arrest and death for himself and his family, the fate of many of his friends. All of these realities are expressed in his music. This book is a chilling yet fascinating read.
4 of 4 people found the following review helpful.
A Rarity: An Anticomunist Artist
By C. Lindsay
The life of a very brave man who refused to toe the line for one of the most ruthless political leaders in recorded history. It is told by Shostakovich himself, dictated to a friend and admirer. He gives an authentic report of life under Communism, by someone who lived it, not someone who reads the writings of apologists who have never been there.
2 of 2 people found the following review helpful.
Excellent book for music lovers
By Rosalind Dworkin
This book provides wonderful (and terrifying) looks at the music community during the Stalinist period in the Soviet Union. While telling warm anecdotes about composers such as Glazanov, Shostakovich also gives insights into the fears and uncertainties of composing music true to his artistic vision while still trying to survive Stalin's purges. It is told in a a straight forward manner without self-pity. I recommend it to readers who enjoy biographies of composers and/or who enjoy 20th century history.
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