Rabu, 30 Juli 2014

[K511.Ebook] Ebook Download The Last Dance, by Fiona McIntosh

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The Last Dance, by Fiona McIntosh

It all started with just one dance . . .Stella Myles is forced to make ends meet by selling herself as a dance partner in a Piccadilly ballroom. Here she meets the enigmatic Montgomery, who orchestrates a job for her as governess with the wealthy Ainsworth family at Harp's End, Sussex. But at Harp's End nothing is as straightforward as it first seems. Stella encounters a family with more secrets than most, and struggles to fit in above or below stairs - although nothing proves so challenging as restraining her emotions for the mysterious Douglas Ainsworth. When Douglas announces that they are all to voyage aboard a cruise ship bound for Morocco, tensions reach impossible new heights and Stella finds herself left holding an incendiary document that she must get to London at all costs. From the rolling green hills of the Kentish Weald to the colourful alleys and bazaars of Morocco, this is a heart - stopping novel of romance, intrigue and danger - and a passion to risk dying for.

  • Published on: 2015-08-05
  • Released on: 2015-08-05
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.37" w x 7.75" l, 2.22 pounds
  • Binding: Paperback
  • 604 pages

About the Author
Fiona McIntosh was raised in the UK but left London to travel to Australia. She and her husband have travelled the world for their travel business but Fiona now writes full-time. McIntosh lives with her husband and teenage sons, splitting her time between Adelaide and the wilderness of Tasmania.

Most helpful customer reviews

3 of 3 people found the following review helpful.
THE LAST DANCE? I DON'T THINK SO!!!!!!!
By Greggorio!
This latest release from the golden pen of Australian Fiction is about a young lady (Stella Myles), who is down on her luck in more ways than one. The book opens with a funeral, and by the end of chapter two we know her story, her family and her background. You may just find yourself completely in love with the brave young woman. The events transcribed in this chapter may well shock you, and there is no doubt the rising young starlet has had a bad life, but with the Gods of Fate shining a little ray of sunshine onto the overcast day Ms Myles calls her life, the reader may well feel justified in thinking some aspects are soon to improve. And they are. She is offered a job as a Governess to a wealthy family in Sussex, England, but as sure as day follows night, we learn that nothing is what it seems and her life is about to change in ways she (and the reader) have not even dreamed of.

The writing is fast and fluid, and features chapter ending hooks which are guaranteed to make the reader not want to put the story down. Marathon reading sessions are almost guaranteed, but (obviously) these are not recommended if you are experiencing this fine tome on the daily commute to, and from, work. The chapter lengths, as Walt Disney would say, are “just right” - that is, not too long, and not too short. But packed full of just the right level of information, emotion, and as I have just said, cliff hanger endings that maximises readers’ enjoyment levels.

It turns out that Stella and her new employers are soon (ish) off to Morocco and surrounds, and with personality clashes, love affairs and less than wholesome character motivations, things couldn’t get any worse for our heroine.

But they do.

I won’t reveal here what happens (it’s not my place) but rest assured that your heart rate will rise just as surely and just as swiftly as the action does in the book.

This is yet another strong release from this world class writer. I hereby award THE LAST DANCE a very encouraging four stars. Keep watching this space for updates as I progress through the story. I would not be surprised, given the heritage and talents of this authoress, if I end up giving it full marks.

BFN Greggorio!

0 of 0 people found the following review helpful.
An intriguing story of family secrets and deception
By Suncoast
This is an enjoyable and intriguing story by talented author Australian author Fiona McIntosh set in 1930's England. Stella, an impoverished but well educated young woman takes a job as a French/Piano governess/tutor to support her much younger brother and sister.

It all starts with a chance meeting with an unusual man at a Piccadilly ballroom who orchestrates a job with the wealthy but strange Ainsworth family at their huge home in Sussex. While Douglas Ainsworth welcomes her, his wife and teenage daughter don't want her help. Slowly Stella learns something about the family secrets and more about the world of the mysterious Douglas.

Things come to a head when Douglas decides to take his whole family and Stella on a cruise calling at North Africa, Egypt and the Holy Land leading to two unexpected endings.

Both Suncoast and Mrs Suncoast read and enjoyed this book. Mrs Suncoast read and enjoyed Fiona McIntosh's previous book Nightingaleand considered that this one is as good if not better. Mrs Suncoast gave this book 5 stars, Suncoast gave it 4.5 stars as it is not his normal genre.

Our thanks to Penguin Australia for an advanced copy of this book for review.

0 of 0 people found the following review helpful.
Great book, was hoping rafe would still be alive ...
By patricia mangini
Great book, was hoping rafe would still be alive for a romantic twist at the end. Wanted the book to keep going.Perhaps a follow on book?

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Sabtu, 26 Juli 2014

[U603.Ebook] PDF Ebook The Bone House: Audio Book on CD (Bright Empires), by Stephen R. Lawhead

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The Bone House: Audio Book on CD (Bright Empires), by Stephen R. Lawhead

Kit Livingstone met his great-grandfather Cosimo in a rainy alley in London where he discovered the truth about alternate realities.

Now he’s on the run—and on a quest—trying to understand the impossible mission he inherited from Cosimo: to restore a map that charts the hidden dimensions of the multiverse. Survival depends on staying one step ahead of the savage Burley Men.

The key is the Skin Map—but where it leads and what it means, Kit has no idea. The pieces have been scattered throughout this universe and beyond.

Mina, from her outpost in seventeenth-century Prague, is quickly gaining both the experience and the means to succeed in the quest. Yet so are those with evil intent who, from the shadows, are manipulating great minds of history for their own malign purposes.

Those who know how to use the ley lines have left their own world behind to travel across time and space—down avenues of Egyptian sphinxes, to an Etruscan tufa tomb, into a Bohemian coffee shop, and across a Stone Age landscape where universes collide—in this, the second quest to unlock the mystery of The Bone House.

The Bright Empires series—from acclaimed author Stephen R. Lawhead—is a unique blend of epic treasure hunt, ancient history, alternate realities, cutting-edge physics, philosophy, and mystery. The result is a page-turning, adventure like no other.

  • Sales Rank: #1490005 in Books
  • Published on: 2011-09-06
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 9
  • Dimensions: 5.40" h x 1.10" w x 6.50" l, .55 pounds
  • Running time: 780 minutes
  • Binding: Audio CD
  • 13 pages

About the Author

Stephen R. Lawhead is an internationally acclaimed author of mythic history and imaginative fiction. He is the author of such epics as The King Raven, Song of Albion, and Dragon King Trilogies. Lawhead makes his home in Oxford, England, with his wife. Twitter: @StephenLawhead Facebook: StephenRLawhead

Most helpful customer reviews

0 of 0 people found the following review helpful.
Complicated, but interesting
By Librax2
I had to listen to this audio book twice to understand the content on most of the CD's. This concept of time travel is unique and interesting. It will remain in my imaginative thought process for a long time.

0 of 0 people found the following review helpful.
Dis-jointed Story/Plot
By smb jr.
First book in the series was interesting and raised expectations - not so much in the rest of the series books - story line fractured into too many seemingly unrelated plots -- lost interest to finish series.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Great book, hooked from the begining!

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Jumat, 18 Juli 2014

[M992.Ebook] PDF Download The Norton Shakespeare: Histories (Third Edition)From W. W. Norton & Company

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The Norton Shakespeare: Histories (Third Edition)From W. W. Norton & Company

Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value.

The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.”

  • Sales Rank: #1248085 in Books
  • Published on: 2015-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.00" w x 6.10" l, .0 pounds
  • Binding: Paperback
  • 1024 pages

About the Author
Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present.

Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy.

Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.

Gordon McMullan (D.Phil. Oxford) is Professor of English at King’s College London and Director of the London Shakespeare Centre. He is the author of Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death and The Politics of Unease in the Plays of John Fletcher, and editor of the Arden Shakespeare edition of Henry VIII and the Norton Critical Edition of 1 Henry IV. He is a General Editor of Arden Early Modern Drama. He has edited or co-edited several collections of essays, including Late Style and Its Discontents, Women Making Shakespeare, Reading the Medieval in Early Modern England, and In Arden: Editing Shakespeare.

Suzanne Gossett (Ph.D. Princeton) is professor emerita of English at Loyola University Chicago. She is a General Editor of Arden Early Modern Drama and has recently served as president of the Shakespeare Association of America. She has written extensively about early modern drama and textual criticism and has edited, most recently, Eastward Ho! in the Cambridge Edition of the Works of Ben Jonson, Philaster for Arden Early Modern Drama, A Fair Quarrel in Thomas Middleton: The Collected Works, Pericles in Arden Shakespeare 3, and the collection Thomas Middleton in Context.

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0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
I love the compilation of some of the best plays of all time and the new edition.

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Kamis, 17 Juli 2014

[Q740.Ebook] Ebook Free Ioachim's Lymph Node PathologyFrom Brand: Lippincott Williams n Wilkins

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Now in its Fourth Edition, this comprehensive, practical, and thoroughly illustrated reference offers valuable guidance in the diagnostic interpretation of lymph node biopsies. It provides encyclopedic coverage of all the various nonmalignant lesions, lymphomas, other neoplasms, and metastatic tumors in lymph nodes. The discussion of each pathologic entity includes definition, clinical syndrome, histopathology, and differential diagnosis.

This edition has more than 700 illustrations, including over 600 in full color. Dr. Ioachim is joined by a new co-editor, L. Jeffrey Medeiros, MD, from the University of Texas MD Anderson Cancer Center. All chapters have been extensively revised and a new chapter on genetics has been added.

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  • Sales Rank: #575713 in Books
  • Brand: Brand: Lippincott Williams n Wilkins
  • Published on: 2008-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.30" w x 8.60" l, 4.80 pounds
  • Binding: Hardcover
  • 694 pages
Features
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Review
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11 of 11 people found the following review helpful.
Ioachim's Lymph Node Pathology
By R. N. Miranda
IOACHIM'S LYMPH NODE PATHOLOGY Ioachim's Lymph Node Pathology

By Harry L. Ioachim, M.D. and L. Jeffrey Medeiros, M.D.

This is the 4th Edition of Ioachim's Lymph Node Pathology that was published a few weeks before the WHO Classification of Tumours of Haematopoietic and Lymphoid Tissues, 4th Edition. Thus, an immediate question is why do we need another book if the "bible" of hematopathology has just been published? While the WHO book spans all areas of hematopathology, including lymph node, bone marrow and soft tissues, Ioachim's book is dedicated to lymph node pathology only. However, the WHO book deals only with neoplastic hematopathology, while Ioachim's Lymph Node Pathology covers both neoplastic and non-neoplastic pathology, i.e., everything a practicing pathologist or clinician may encounter in a lymph node, with the additional advantage of detailed discussions on differential diagnosis and valuable historical perspective.

The WHO book is acknowledged as the "standard" of diagnostic hematopathology and it is authored by many leaders in the field, and its approach to classification of neoplastic diseases is considered up-to-date, reflecting the current understanding of pathogenesis and mechanisms of disease, and the book is used as a reference in clinical research. A major limitation is that the book is brief, appearing almost like an abridged version, and explanations or references to the knowledge it presents may not be self explanatory, and at times can appear as dogmatic, despite the inclusion of up-to-date references. Similarly, because of space constraints (I believe), the pictures are in general diminutive, the quality although good, it is not uniform, and details are not fully appreciated.

Ioachim's Lymph Node Pathology is a beautifully done, comprehensive and an authoritative text that provides valuable discussions about the context of lymph node diseases, historical perspective where is needed, such as in the chapters on angioimmunoblastic T-cell lymphoma, anaplastic large cell lymphoma, and histiocytic tumors, where previous versions and nomenclature are numerous, and much change has occurred in their understanding and classification in the last few years. Pictures of high quality are profuse and illustrations with detailed descriptions enhance the text. For example, I compared the number of pages and pictures dedicated to the chapter on angioimmunoblastic T cell lymphoma and found that the WHO book dedicated 3 pages and 12 (rather small) figures, while Ioachim's Lymph Node Pathology used 13 pages and 28 (detailed) pictures. Similar to the WHO book, Ioachim's Lymph Node Pathology has been extensively revised and for comparable chapters, the updated bibliographic references are essentially the same, as is the conceptual approach including the use of cutting edge technology such as gene profiling and comparative genomic hybridization. A hallmark of Ioachim's Lymph Node Pathology is the comprehensive inclusion of chapters on non-neoplastic disorders, including infections, immune and metabolic processes, as well as erudite discussions on chapters dedicated to metastatic neoplasms in lymph nodes. An additional advantage is that Ioachim's Lymph Node Pathology is full of valuable references and discussions of features encountered in the daily practice, not only related with histopathology, but with clinical, laboratory and other ancillary techniques currently used in clinical practice.

What I consider a significant drawback may be more a conceptual than a true deficiency. I would expect that a book of lymph node pathology would be synonymous with all lymphomas. However, several "lymphomas" are not covered, such as the extranodal lymphomas (with exception of the salivary gland), skin lymphomas (although mycosis fungoides is included), and a few others. This "deficiency" I believe is rather conceptual, since many lymphomas do not arise in lymph nodes and are mainly or purely extranodal. Another apparent, but not real deficiency, is that Ioachim's Lymph Node Pathology uses as reference for certain discussions the 2001 WHO (3rd Edition) book rather than the 4th edition. However, as I mentioned, Ioachim's Lymph Node Pathology goes beyond the 2001 WHO book and is updated equivalent to the WHO 4th Edition, so that the knowledge is essentially the same in both books. I found the index excessive and somewhat disorganized, with some entries redundant; for example breast carcinoma is under entries such as axillary lymph node, metastasis, adenocarcinoma, carcinoma, ductal, mucinous carcinoma, and metastatic breast carcinoma, metastatic breast lobular carcinoma. Other entries are not relevant; for example, "cervical" and "axillary lymph nodes" have many entries, and "collagen fibers" links to a collagen deposition in a case of sarcoidosis (page 205, Fig 38.7).

In summary, the book authored by Harry L. Ioachim and L. Jeffrey Medeiros covers the entire spectrum of neoplastic and non-neoplastic pathology that can be found affecting lymph nodes. The book is fully updated and enhanced by systematic discussions on differential diagnosis and prolific, high quality illustrations for each chapter. I believe that Ioachim's Lymph Node Pathology, 4th Edition is truly a classic of lymph node pathology, and has a value equal, but complimentary to the 2008 WHO book. I highly recommend Ioachim's Lymph Node Pathology to practicing pathologists, hematopathologists, pathologists-in-training, clinicians, oncologists and scientists.

1 of 1 people found the following review helpful.
Online resource hobbled ...
By Forrest Ritland
This hard cover text book is an excellent resource for the practicing pathologist. The online text was great until January, 2011, when Lippincott took down what was an excellent, fast and efficient, online resource and replaced it with a miserably restricted version, which seems like a limited version of Amazon's "Click to Look Inside" function. The online reference text now displays just page by page. It can no longer be scrolled or printed. It can be searched, but its rudimentary search function merely returns a list (10 entries at a time) of every page on which the word appears, along with a 5-6 word sentence fragment for context (no chapter or section title). From that minimal information, I cannot figure out which is the pertinent entry for my query. It's faster for me to get up, get the printed text book off the library shelf, and look it up there.

0 of 0 people found the following review helpful.
A must have Hematology book
By C. Stefanovici
One of the best books ever published, a most-read or/and must-have book for pathologists, fellows and residents. Comparatively with the last edition, it has colored pictures and information regarding the newly cytogenetics and molecular findings. It came packed in a bubble-envelope, code for internet access intact, in only few days from placing the order. I am happy with my order. C.Stefanovici, MD

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Senin, 14 Juli 2014

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The Art of Michael Whelan, by Michael Whelan

Award-winning artist Whelan has illustrated the work of almost every major author in speculative fiction. Here are featured all the artist's major recent paintings, as well as a series of 25 never-before-seen works produced especially for this book. Over 100 full-color reproductions.

  • Sales Rank: #748935 in Books
  • Published on: 1993-10-01
  • Released on: 1993-10-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 11.75" w x 1.25" l,
  • Binding: Hardcover
  • 200 pages

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4 of 4 people found the following review helpful.
The life and work of Michael Whelan (until 1992)
By Carlos Severino
Compared to his two previous books (Works of Wonder and Wonderworks) this one is far more detailed concerning the artist's life, working methods and work analysis.

As for the art, it's mostly a selection of the paintings that had already been published on the two books mentioned above with some new additions.

SPECIFICS:
Page Count: 201
Number of images: 142
Small images: 63
Half page images: 11
Full page images: 62
2-page spreads: 6
BW images: 45

TEXT:
Acknowledgements: 1 page
Preface: 1 page
Profile: 2 pages
Interview with Anne McCaffrey about his early life: 7 pages
Interview with Terry Booth about his work: 10 pages
Interview with David Cherry about materials and methods: 11 pages
The 62 full page paintings on the right-hand pages have each a small paragraph on the opposite page
Appendix with: title, year, real size and medium used for the works displayed

ART:
18 images: 5 stars
42 images: 4 stars
70 images: 3 stars
12 images: 2 stars
0 images: 1 star

Overall: 3,5 Stars

Note: sketches and other versions of the finished paintings were left out of the rating.

0 of 0 people found the following review helpful.
Five Stars
By Jin
Excellent artbook for fantasy fans.

21 of 21 people found the following review helpful.
Breathtaking art, beautiful format
By KaguyaHime
This book is truly a work of art!
The eminently talented Michael Whelan showcases his treasures in this large-size, full-color coffee table book.
With his superb attention to detail and boundless imagination, MW has created fantastic worlds. Here, he catalogues his numerous book covers (all genres of Science Fiction, and all genres of Fantasy, and other areas), paintings, and assorted works (he paints not just for a living but for his own enjoyment, evident in the many small sketches included throughout the book).
MW himself describes each piece. He isn't an artist who simply creates a cover when commissioned; he reads the text of the book he will be making a cover for. This is what makes his book cover art so wonderful. In my mind, his cover art for "Catspaw" and "The Snow Queen" are every bit as memorable as the stories they were made for. He details everything minutely: the curling edges of a drying leaf, the dust stain in a fold of clothing, a nick on the blade of a warrior's battle-ax, a snarl in a lock of hair, the markings on a spaceship lifting off from a background launch pad, the clearing sky reflected in a dangling pane of broken glass, the frayed edges of a worn rope attached to a forgotten bell. And that's just the little stuff in the background.
What sets this book aside from other art books is the fact that this book is made for people who like to LOOK at the art. Nearly half of the pieces featured here are full-page size, with the text/description and sketches, studies, details, alternative concepts on the facing page. Too many art books tend to squeeze pictures into small squares on a page. None of that here. The colors are sharp and vivid. The edges are sharp and crisp. The paper used is heavy glossy paper. There are three chapters (interviews, introduction, technical aspects) printed on heavy parchment-like paper. The book itself is clothbound in matte midnight black, embossed in gold. The publishers spared no expense in making this book.
And here's something I haven't seen in other art books: the 85+ full page plates are indexed in a back section of the book. Shrunk down to B&W postage-stamp size, you can glance through to quickly find your favorite picture.
The work represented here covers everything from dragons, winged lions, medieval castles, futuristic alien castles, strange aliens, bustling spaceports, nature settings, warriors of every type, humans and much more. Each picture is worth a thousand words indeed.
The paper cover/dustjacket features "Passage: The Avatar" (the breathtaking blue ruins) on the front and "The Summer Queen" on the back, both are featured inside the book. This is a plus, as many times the dustjacket art is counted among the represented work.
Very highly recommended.

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Jumat, 11 Juli 2014

[U829.Ebook] Ebook Financial & Managerial Accounting for School Administrators,From 1996

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  • Sales Rank: #11659363 in Books
  • Published on: 1996
  • Binding: Hardcover
  • 0 pages

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Selasa, 08 Juli 2014

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  • Sales Rank: #1522935 in Books
  • Published on: 2015-08-01
  • Dimensions: .0" h x .0" w x .0" l,
  • Binding: Hardcover
  • 856 pages

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  • Published on: 1707
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Igor Stravinsky--The Composer in the Recording Studio: A Comprehensive Discography (Discographies: Association for Recorded Sound Collectio

Stuart offers the most thorough discography of the works and recordings of Igor Stravinsky to date as well as a chronicle of the composer's recording career. As the first discography to list all of Stravinsky's recorded compositions, including concert and broadcast performances, both pre- and post-World War II, as well as all LP issues, this volume displays the wide range of Stravinsky's talent. The significance of Robert Craft's contribution to the continued exposure of Stravinsky's works after 1948 is well documented, as are the piano performances recorded by Stravinsky's son.

A lengthy introductory essay traces Stravinsky's recording history from his early use of the pianola through the advent of more sophisticated musical technology which enabled the composer to become the composer-performer. The discography itself lists 191 studio performances, catalogs recorded issues, and details unpublished recordings. The chronological index of Stravinsky's compositions which follows is cross-referenced to the recordings already cited, thereby showing each recording relative to the date of the work's composition. This extensive listing of recordings, combined with the narrative account of Stravinsky's recording history provides the collector with a valuable updated guide to almost all of the composer's works.

  • Sales Rank: #8026604 in Books
  • Brand: Brand: Greenwood
  • Published on: 1991-05-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .38" w x 5.98" l, .74 pounds
  • Binding: Hardcover
  • 118 pages
Features
  • Used Book in Good Condition

Review
"This annotated discography of Stravinsky's recordings (and recording history) is the culmination of the work of previous compilers including David Hamilton, whose 1968 discography was reprinted in Benjamin Boretz's compilation Perspectives on Schoenberg and Stravinsky (rev. ed., 1972; 1st ed., CH, Jun'69); Ulf Scharlau (Igor Strawinsky, 1882-1971: Phonographie, Frankfurt am Main, 1972); Eric Walter White (Stravinsky: The Composer and His Works, 1979); and others. Stuart attempts to list all of Stravinsky's studio performances (except those given primarily for the camera) together with recordings of concerts and broadcasts that have been published on disc or preserved in archive collections. In addition to the discography listing, Stuart includes five brief, fascinating essays that provide a history of Stravinsky's recording: "Uncertain Beginnings 1923-27," "The Old World 1928-38," "The New World 1940-50," "Consolidation 1951-57," and "One More Time 1957-67." The discography is chronologically arranged and includes all of the known studio recordings (153 entries), all of Robert Craft's studio recordings of music by Stravinsky (29 entries), and some assorted recordings without a conductor (9 entries), making a total of 191. (Also included are three examples of Stravinsky's discussions concerning recording.) Appendixes include a list of the CBS LPs, Soulima Stravinsky's recordings, the live recordings, and the missing works. Recommended for extensive music collections and for small libraries wishing a separate, single-volume discography on the recorded works of Stravinsky."-Choice

?This annotated discography of Stravinsky's recordings (and recording history) is the culmination of the work of previous compilers including David Hamilton, whose 1968 discography was reprinted in Benjamin Boretz's compilation Perspectives on Schoenberg and Stravinsky (rev. ed., 1972; 1st ed., CH, Jun'69); Ulf Scharlau (Igor Strawinsky, 1882-1971: Phonographie, Frankfurt am Main, 1972); Eric Walter White (Stravinsky: The Composer and His Works, 1979); and others. Stuart attempts to list all of Stravinsky's studio performances (except those given primarily for the camera) together with recordings of concerts and broadcasts that have been published on disc or preserved in archive collections. In addition to the discography listing, Stuart includes five brief, fascinating essays that provide a history of Stravinsky's recording: "Uncertain Beginnings 1923-27," "The Old World 1928-38," "The New World 1940-50," "Consolidation 1951-57," and "One More Time 1957-67." The discography is chronologically arranged and includes all of the known studio recordings (153 entries), all of Robert Craft's studio recordings of music by Stravinsky (29 entries), and some assorted recordings without a conductor (9 entries), making a total of 191. (Also included are three examples of Stravinsky's discussions concerning recording.) Appendixes include a list of the CBS LPs, Soulima Stravinsky's recordings, the live recordings, and the missing works. Recommended for extensive music collections and for small libraries wishing a separate, single-volume discography on the recorded works of Stravinsky.?-Choice

About the Author

PHILIP STUART earned his M.A. in History from Oxford University's Worcester College in 1970 and specializes in the production of discographies.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Exhaustive and essential
By Gil Lamont
Stuart's exhaustive discography is essential for any Stravinsky collector eager to track down the recordings, whether on vinyl or reissued on CD. Comprehensive session notes help untangle the confusion of when, where, and who, and the Introduction offers an excellent picture of Stravinsky's ongoing conflict with the recording process. Pricey but well worth it.

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Minggu, 06 Juli 2014

[H758.Ebook] PDF Download Rock Lead Techniques: Techniques, Scales and Fundamentals for Guitar (Musicians Institute Press)From Hal Leonard

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Rock Lead Techniques: Techniques, Scales and Fundamentals for Guitar (Musicians Institute Press)From Hal Leonard

(Musicians Institute Press). Jam along with Danny Gill and Nick Nolan as they present material from this MI elective course. Covers: licks, scales, soloing concepts, picking technique, three-note-per-string scales, sweep picking, string skipping, harmonics and more. The CD includes 97 full-demo tracks.

  • Sales Rank: #1553019 in Books
  • Brand: Hal Leonard
  • Model: 695146
  • Published on: 1998-03-01
  • Released on: 1998-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .20" w x 9.00" l, .42 pounds
  • Binding: Paperback
  • 40 pages
Features
  • 40-page bookCD with 97 full-demo tracks

About the Author
Nick Nolan spent nights and weekends during college selling furniture; then, with his BA in-hand directed a residential treatment center for homeless and abused GLBT teenagers. Soon after, Nolan decided to write his first novel, and spent six years crafting the story. Nolan self-published Strings Attached in 2006 to unexpected success. Two years later, his second novel, Double Bound, earned Book of the Year awards from both ForeWord Magazine and Reader Views. Today Nick and his partner, together since 1987, spend time at their home in Los Angeles or their mountain cabin with their beloved dogs and dear friends. His third novel is on its way.

Nick Nolan spent nights and weekends during college selling furniture; then, with his BA in-hand directed a residential treatment center for homeless and abused GLBT teenagers. Soon after, Nolan decided to write his first novel, and spent six years crafting the story. Nolan self-published Strings Attached in 2006 to unexpected success. Two years later, his second novel, Double Bound, earned Book of the Year awards from both ForeWord Magazine and Reader Views. Today Nick and his partner, together since 1987, spend time at their home in Los Angeles or their mountain cabin with their beloved dogs and dear friends. His third novel is on its way.

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1 of 1 people found the following review helpful.
Excellent book and great service
By shootn'scoot
I am using the book now, and like it a lot. My teacher recommended it, very easy to use with good music and the service was excellent

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great
By Travis Briggs
the price was terrific and it was exactly watch the teacher requested
my uses it weekly for his lessons thanx

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Worth the time.
By lasermarc1
Put in the time following Rock Lead Techniques and you will improve your overall playing. You can learn your 'techniques' at your own speed in a simple, yet demanding format.

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