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With the tragic and bloody ending to the optimistic 1960s in Los Angeles's fabled hills, the 1970s became a defining decade in the city. Marked by the Manson murders, rampant inflation, and recession, the decade seemed to usher in a gritty and unsightly reality. The city of glitz and glamour overnight became the city of smog and traffic, a cultural and environmental wasteland.
Los Angeles in the 1970s was a complex and complicated city with local cultural touchstones that rarely made it near the silver screen. In Los Angeles in the 1970s, LA natives, transplants, and escapees talk about their personal lives intersecting with the city during a decade of struggle. From The Doors' John Densmore seeing the titular L.A. Woman on a billboard on Sunset, to Deanne Stillman's twisting path from Ohioan to New Yorker to finally finding her true home as an Angeleno, to Chip Jacobs' thrilling retelling of the "snake in the mailbox" attempted murder, to Anthony Davis recounting his time as "Notre Dame Killer" and USC football hero, these are stories of the real Los Angeles--families trying to survive the closing of factories, teens cruising Van Nuys Boulevard, the Chicano Moratorium that killed three protestors, the making of an adult film legend.
Los Angeles in the 1970s is a love letter to the sprawling and complicated fabric of a Los Angeles often forgotten and mostly overlooked. Welcome to the Gold Mine.
- Sales Rank: #25837 in Books
- Published on: 2016-11-29
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .90" w x 5.40" l, .0 pounds
- Binding: Paperback
- 328 pages
From the Author
Los Angeles in the 1970s is an anthology and revisit to that decade in the City of Angels as seen through the eyes of twenty-nine separate contributing authors. My chapter, "The Snake and Bake Murder" tells a true-crime story I investigated in 1974 while I was assigned as a rookie homicide detective at LAPD's Hollywood Homicide Division. That real life murder case had it all, Hollywood hills swinging sex pad, drugs, kidnapping, murder all centered around a beautiful Femme Fatale.
About the Author
The book was edited by David Kukoff. A graduate of Columbia University and UCLA Film School, David Kukoff has eleven produced film and television credits to his name. He has written for every studio and network in Hollywood, has published two books on film and television writing, and has been the subject of features.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Buy it, read it, know it.
By Amazon Customer
This is a brilliant compilation. East Coast bias has always discounted the larger cultural contribution to the American ethic and perspective that emanates from Los Angeles. This book, in an interesting and accessible way, educates both outsiders and Angelenos alike and touches on so many interesting cultural perspectives. A must read!
3 of 3 people found the following review helpful.
Digging for Wild-Eyed Gold
By Richard Ferguson
Edited by writer David Kukoff, Weird Scenes Inside the Goldmine is a collection of essays, stories, poems, and photos that recall Los Angeles in the 1970s—back during the days of the Hillside Strangler and the energy crisis. When the music industry was booming, and you could purchase a corner lot home in Venice for $30,000. Family empowerment could be discovered through skateboarding, and The Doors were making the “L.A. Woman” a glittering, iconic, and enduring image for the ages.
It was a decade, as Kukoff states in his introduction, which represented “a tectonic, seemingly permanent shift in the country’s psyche.” Seventies LA roared in on the heels of the pot and patchouli-scented Summer of Love. Was a time filled with the burned out, but also those seeking bright beginnings. A new Wild West—the Z Channel screened movies like A Clockwork Orange, Lisztomania and Rosemary’s Baby. Cheap gasoline, car culture, and endlessly cruising Van Nuys Boulevard were the norm. Dr. Demento ruled the airwaves. Johnny Wadd’s cock held sway on the adult industry silver screen.
Weird Scenes digs down deep beyond the cultural stereotypes of seventies LA—the sleepy beach towns, cultural deserts, and Hollywood fluff—to explore a city in all its complexities. Writers, musicians, and poets such as Joe Donnelly, John Densmore, Bruce Ferber, and Susan Hayden, reveal a time when racial discrimination was challenged, yet the business end of a police officer’s baton also held sway. A child could go door-to-door borrowing sugar. LA was also the country’s largest manufacturing center: shipbuilding, aerospace, canneries. Union jobs with solid benefits. A “City of Workers” as LA’s poet laureate Luis J. Rodriguez tells us in his essay, “What Needed Screwing Got Screwed”. Those were the days when he faithfully donned safety glasses, a hard hat, work boots and a mechanic’s suit to make LA a sturdier, more well built city.
Eventually, seventies LA would end. The Doors would break up. In would roll the “greed is good” ethos of the Reagan eighties. Those $150-a-month rents, two blocks from the beach in Santa Monica, would gradually rise into the millions. Yet there was that decade—those gritty and glorious years—so perfectly encapsulated in Weird Scenes Inside the Goldmine. Back when LA was a living, breathing B-movie playing at warp speed. A jasmine-scented, carbon monoxide-hazed sunshine-haloed dream factory. A city where anything and everything was possible. When everyone—from a teenager with braces to a tall skinny fellow named John Curtis Holmes—had a shot at redemption and reinvention.
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